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Showing posts from November, 2014

The composition SYMPHONY N1

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SYMPHONY N1, Oleksiy Koval, 2014 M 1/9 E a,b,c,d,e,f ≈ R a 1,5,2,3,8 (x 3) b 1.  1+1+1+1+1 (3 x) b 2.  2+2+2+2+2 (3 x) b 3.  3+3+3+3+3 (3 x) b 4.  5+5+5+5+5 (3 x) b 5.  8+8+8+8+8 (3 x) c 1.  1+1+1+1+1 (6 x) c 2.  2+2+2+2+2 (6 x) c 3.  3+3+3+3+3 (6 x) c 4.  5+5+5+5+5 (6 x) c 5.  8+8+8+8+8 (6 x) d 1,5,2,3,8 (x 3) e 1.  1+1+1+1+1 (9 x) e 2.  2+2+2+2+2 (9 x) e 3.  3+3+3+3+3 (9 x) e 4.  5+5+5+5+5 (9 x) e 5.  8+8+8+8+8 (9 x) f -,-,-,-,- (1-8) P   1. [*a] 2. *b 1. 3. [*a] 4. (2.) + b 1. + c 1. 5. [*a,d] d > 1{3[a] 6. (4.) + b 1. + c 1. + e 1. 7. f 8. [*a,d] d > 1{4[a] 9. (6.) + b 2. + c 2. + e 2. 10. f 11. [*a,d] d > 1{5[a] 12. (9.) + b 3. + c 3. + e 3. 13. f 14. [*a,d] d > 1{6[a] 15. (12.) + b 4. + c 4. + e 4.   16. f 17. [*a,d] d > 1{7[a] 18. (15.) + b 5. + c 5. + e 5. 19. f Signs and symbols: M meter A area U unit R rhythmical motive E element P procedure # entry * hits the